stanley clarke height

He told me, "You know, you should listen to a lot of different types of music and not for the purpose of liking them." He teamed up with keyboardist George Duke in the 1980s, touring and recording together and scoring a top 20 pop hit, Sweet Baby. Clarke continued playing with a host of artists from various genres, from Ronnie Wood and Keith Richards of the Rolling Stones to violinist Jean-Luc Ponty. That's probably out of all the older bands I've played with, the one I'm the most proud of is Art Blakey because so many people went through his band. And it's nice that people are out there that are, you know, caring, observant enough to recognize something that you've done and, and award you something. After the second album, Farrell, Purim and Moreira left the group to form their own band, and guitarist Bill Connors, drummer Steve Gadd and percussionist Mingo Lewis were added. With the guidance and encouragement of teachers like Eligio Rossi at the Settlement Music School, Stanley steadily developed technique and confidence on the bass. Stanley Clarke (June 30, 1951) is an American jazz musician and composer known for his innovative and influential work on double bass and electric bass as well as for his numerous film and television scores. With its memorable riff, the title song became so revered that fans called out for it during concerts. I had been playing with Joe Henderson. All I knew, he was the only guy I had ever met like that and we remained friends for the longest time. He and Copeland were friends before the Police formed. He was an avant-garde saxophone player. There's an underlying attitude that may seep into other things like how you practice, how you approach your instrument. Clarke gave the bass guitar a prominence it lacked in jazz-related music. Full body measurements, dress & shoe size will be updated soon. I had a couple scholarships from various music institutions and I had this one course which was Chemistry and can honestly say, maybe I went there half of the time and I deserved to fail. Yeah. Along with having a strong creative influence, the band enjoyed enormous popularity, and toured the world often. Our early days in Return To Forever, we were playing a little club called the Village Vanguard in New York and Mick Jagger showed up with the head of Atlantic Records at that time and they said, "Yeah, yeah. And Lenny says, "Yeah. From the National Endowment for the Arts, this is Art Works, Im Josephine Reed. You know, it was just at that time, it was just that was a lot for me. And then you had the corner guy that had a storefront that was a music teacher, because it was very important back in those days. And you actually conducted a 60 piece orchestra performing the score from Boyz n the Hood the soundtrack as the film played. Jo Reed: In other interviews, youve discussed people in your early life who call shining lights. And one of them was Mr. Rossi, your teacher. Jo Reed: Indeed, you did. When you're doing a movie you're going to be dealing with particularly a director maybe for two months. And then the last 2 get cash and to do whatever they want to do with it, a significant amount of cash. Discover what happened on this day. I had a short thing with the piano, but although the piano stayed with me up until now, and I started playing bass eventually when I got to the age of 12. Sometimes it takes them a while to get going, but once they're off, nothing can hold them back. Like a lot of young kids, "Yeah, I'm into this kind of music. [24], Clarke joined fellow bassist Paul McCartney in 1981 to play bass on McCartney's 1982 & 1983 releases Tug of War[26] & Pipes of Peace. Another tool in the toolkit. Follow us on Apple or Google Play and leave us a rating, it helps people to find us. In the early 1980s, Stanley and longtime friend and colleague, keyboardist George Duke, teamed up to launch The Clarke/Duke Project. Equipment - Clarke has always been very strongly associated with Alembic basses and the vast majority of his recorded output has been produced with one model of Alembic or another, particularly a dark-wood-colored custom bass in the Series I body style. Stanley Clarke: Yeah. Stanley Clarke: Yeah. See all 47 Events. That had to have been interesting and kind of daunting. He is well-known for his leadership in a variety of trios and ensembles throughout his career. Clarke co-founded the seminal fusion group Return to Forever with Chick Corea and Lenny White. Yeah, it's a nice piece, song for Sofia. Stanley Clarke: I started probably right out of high school. Clarke received the Latin Grammy for Best Instrumental Album in 2011 at the 12th Annual Latin Grammy Awards for the album "Forever", along with Chick Corea and Lenny White. Alembic also manufactures a series Stanley Clarke Signature Bass models. Stanley Clarke is 1 of the famous people in our database with the age of 68 years old. His name was Ken Scott. Just this is going to be honest." So all three basses were never in one area at the same time, you know, that the speakers would start to have convulsions, you know, and just blow up. Though they're sensitive, they also hesitate, which makes them lose on chances. In 2010, Clarke founded Roxboro Entertainment Group in Topanga, California. The Key to the City of Philadelphia. I wonder how that would sound?" , money, salary, income, and assets. Stanley Clarke: Well, you know, awards in general mean a couple things to me. As evidence of his growing profile outside of the jazz world, he also joined Rolling Stones bassist Ron Wood's all-star band, the New Barbarians, and toured with guitarist Jeff Beck in 1979. Clarke intended to become the first black musician in the Philadelphia Orchestra until he met jazz pianist Chick Corea. Stanley Clarke: Well, my mother was the artist. Their first album, titled Return to Forever, was recorded for ECM Records in 1972. Jo Reed: And you have an educational fund, the Stanley Clarke Foundation. The same year, Stanley won a Latin Grammy for Best Instrumental Album with Forever, along with group members Chick Corea and Lenny White. Typically the bass had been the centering instrument, if you will. Stanley Clarke: I actually did. He is currently single. Stanley Clarke keeps his personal and love life private. He earned the money being a professional Bassist. He put sunglasses on me. At the age of 82 years, Stanley Clarke (swimmer) weight not available right now. And then you have the idea of spirit of play where you have people playing off of each other so it's you have all these different things. Thanks BASS Magazine for being ever-so loyal! So I couldn't call the song, "I Just Won A Grammy." So my guy that works in my office and my engineer who's a bright guy, we really had to construct this whole design how to do it. Publicity Listings He says, "Listen. In the process, he became the first jazz-fusion bassist to headline tours, sell out shows worldwide and have recordings reach gold status. And then and it's funny you mentioned composition, I actually believe that a really decent percentage of an artist, how he plays, has a lot to do with his compositional skills, whether he writes it down or it's just in his head. Following studies at the Philadelphia Musical Academy, Clarke moved to New York City, soon working with legendary performers such as Art Blakey, Gil Evans, Stan Getz, Dexter Gordon, and Horace Silver. It doesn't necessarily have to be written out. 30 June 1951 (age 71) Born In Philadelphia, Philadelphia County, Pennsylvania, United States Stanley Clarke (June 30, 1951) is an American jazz musician and composer known for his innovative and influential work on double bass and electric bass as well as for his numerous film and television scores. [46], Clarke has written scores for television and movies. I listened to a lot of things. A marquee draw on his own, Clarke continues to collaborate often, picking up a Grammy with Corea and RTF drummer Lenny White for 2011's Forever, and regularly leading the Stanley Clarke Band with an ever-evolving lineup of artists. Clarke made his professional debut at age 15, joining saxophonist Byard Lancaster at the Showboat jazz club. In 1973, he and Corea founded the band Return to Forever. You know, when I started studying with him I used to come late and he used to sit me down and explain to me about the importance and the purpose of being on time. Very talented. Stanleys school days were not only the inspiration for his world-renowned bass anthem, but essential to the origin story of the pioneering bass virtuoso from the streets of Philadelphia. Four-time Grammy Award Winner Stanley Clarke has attained "living legend" status during his over 40-year career as a bass virtuoso. Like obviously you got to be able to write music. The notation of it is just so you can have a picture of it. You know, playing live sometimes you can take time, you know, you can do a lot more things, longer, play longer. You had the dentist and well, we think he was a dentist. Clarke has worked as a solo artistplacing the bass front and center as the lead instrument, t and releasing a number of successful albums including the epic School Days. And so that's what I did. Stanley Clarke: I did his first three movies. Stanley Clarke was born in Philadelphia, PA on June 30, 1951. Four-time Grammy Award Winner Stanley Clarke has attained "living legend" status during his over 40-year career as a bass virtuoso. So I remember reading it going, "Wow. And so I got turned on to Charlie Mingus, Stan Getz and later everyone else. And so I used to get a kick out of that. And many think that I just woke up one day and it just like just sort of appeared on my fingertips and it didn't. And I really thank him for that. Clarke gave the bass guitar a prominence it lacked in jazz-related music. [18] During the early 1980s, he toured with Corea and Return to Forever, then worked with Bobby Lyle, Eliane Elias, David Benoit and Michel Petrucciani. When I play the electric bass, I think of grooving, having fun, you know, playing loud. That's a great example of playing music because you're friends. Interview: Bass-playing jazz legend Stanley Clarke", "Stanley Clarke Gears Up for Detroit Jazz Festival's 40th Anniversary", "New Barbarians: Inside Rolling Stones' Wild Seventies Spin-Off", "2 Musicians With a Meeting of the Minds", "How Paul McCartney Tapped Into a Storied Past With 'Tug of War', "Stanley Clarke Is the Reason You Love Music", "Paul McCartney, "Hey Hey" from 'Pipes of Peace' (1983): One Track Mind", "Paul McCartney. It was not something that we wanted to make a big deal about, me and the wife. RTF, which became one of the seminal bands of the fusion era, included Lenny White on drums, Billy Connor, and later, Al Di Meola on guitar. You scored a few films for him. Stanley Clarke: The Showboat. And so the idea of playing different types of music, a lot of it for me had to do with friendship. And I had to have communication devices like headphones to communicate. That music was exactly what we were into at that time. In 1979, Ronnie Wood of the Rolling Stones formed the New Barbarians with Clarke and Keith Richards. He then signed with Nemperor Records and issued a handful of highly acclaimed albums, including the breakthrough School Days. He named it after the high school that he attended in the 1960s. Stanley Clarke: Thank you. I got there late and all the instruments were taken except a bass drum, a sousaphone and an acoustic bass. And so I was always thinking of tunes and I used to say, "You know, what about that melody being played on the bass? STANLEY Long before he became a four-time Grammy Award-winning recording artist, performer, composer, conductor, arranger, producer, a composer for recordings and film, as well as one of the most celebrated acoustic and electric bass players in the world, Stanley Clarke was a student. La Cancin de Sofia composed by Stanley Clarke, performed by The Stanley Clarke Band, from the album, Up, Excerpt from Boyz n the Hood, composed by Stanley Clarke. It's in the form of an acknowledgment. This long list includes talents like keyboardist Deron Johnson, bassist Armand Sabal-Lecco, violinist Mads Tolling, saxophonist Kamasi Washington, as well as its current members, keyboardist Cameron Graves, drummer Mike Mitchell and pianist Beka Gochiashvili, the latter of whom joined the band at 17 and 16 years old respectively. You know, we were jazz musicians. [55][56][57][58] Clarke has been playing Alembic short scale basses since 1973. In addition to an economical variation on the funky Larry Graham-style slap-n'-pop technique, Clarke also uses downward thrusts of the entire right hand, striking two or more strings from above with his fingernails (examples of this technique include "School Days", "Rock and Roll Jelly", "Wild Dog", and "Danger Street"). I sometimes forget that as a film composer and as a film maker, a part of making a film, if you're lucky enough to contribute to films that mean something, you affect a lot of people.

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